In Red Admission, angular forms converge towards the centre, creating a strong sense of downward movement and compression. The upper part of the work is interrupted by a narrow strip of dark pink, scratched with a sharp knife. The main U-shaped fracture holds the central composition in place, allowing the surrounding fields to maintain their balance.
Small in scale but assured in presence, it suits a hallway, study or reading corner where its calm tension can be discovered gradually.
20 × 20 cm
Acrylic and pencil on cradled wood panel, in black floating tray frame.
In Red Admission, angular forms converge towards the centre, creating a strong sense of downward movement and compression. The upper part of the work is interrupted by a narrow strip of dark pink, scratched with a sharp knife. The main U-shaped fracture holds the central composition in place, allowing the surrounding fields to maintain their balance.
Small in scale but assured in presence, it suits a hallway, study or reading corner where its calm tension can be discovered gradually.
20 × 20 cm
Acrylic and pencil on cradled wood panel, in black floating tray frame.