Passages

Lines move through rather than contain.

Loose, wavering marks travel across softer fields, connecting, dividing and redirecting the space around them.

Silent Collision

Held at Distance

Collision Line by Gera Dunachie, contemporary abstract painting in pale grey, mint, magenta and acid green with a strong diagonal line and restrained geometric structure.

Collision Line began as a test of how much high-energy colour the structure could absorb without losing control. Magenta and acid green should not work together, but they do so beautifully, pushing against a cooler, quieter field held in place by the dominant diagonal.

The result is sharp but contained rather than chaotic. It suits contemporary interiors where a compact work can bring tension and colour without overwhelming the space.

Silent Collision, abstract painting by Gera Dunachie in a black frame, displayed above a sculptural wooden console with a clock, bowl and vase in a contemporary interior.

50×50cm on cradled wood panel, in a black float frame, ready to hang

Acrylics

AVAILABLE. To enquire about Silent Collision click here

Soft Breach

Already Landed

Soft Breach by Gera Dunachie, contemporary abstract painting in pale blue-grey, mauve and soft white with translucent geometric forms, darker linear marks and layered texture.

The idea for Soft Breach appeared when the window frame in my studio cast a shadow onto a blank panel. I loved its geometry, so I grabbed a pencil and made a sketch.

The result sits between structure and atmosphere, capturing the point where something fixed begins to soften without disappearing entirely. Pale blue-grey fields, translucent layers and darker lines create a quiet tension, while the restrained palette gives it an easy stillness.

Soft Breach, abstract painting by Gera Dunachie in a black frame, displayed above a white sideboard with a ceramic vase and stacked books in a minimal interior.

40x40cm on cradled wood panel, in a black floating frame, ready to hang

Mixed media: acrylics, pencil, gesso

SOLD

State Resonance

Elsewhere Here

State Resonance by Gera Dunachie, large contemporary abstract painting in pale grey, muted turquoise and white with fine linear marks and two vivid red interventions.

State Resonance grew from the experience of two states of mind existing at once. Pale, veiled fields hold several structures together, while the two red marks act as points of sudden activation.

The painting is quiet but psychologically charged. At 90 × 60 cm, it has enough presence to anchor a living room, hallway or other spacious contemporary interior without becoming visually loud.

State Resonance, abstract painting by Gera Dunachie in a black frame, displayed above a blue bench in a modern hallway with frosted glass and a black-and-white striped floor.

90×60cm on cradled wood panel, in a black float frame, ready to hang

Acrylics

AVAILABLE. To enquire about State Resonance click here

Regardless

Natural Pressure

Regardless by Gera Dunachie, contemporary abstract painting in mineral grey, dark green, brown and dirty white with a sharp acid-yellow horizontal accent and strong dark forms.

Regardless began with a question: could I make a cold painting without using blue? Mineral grey, dirty white, muted yellow, deep brown and green create a natural palette that never quite becomes landscape.

The acid yellow threatens to take over, but darker forms hold it in check. Compact and uncompromising, it works well in contemporary interiors that can carry something sharper and less polite.

Regardless, abstract painting by Gera Dunachie in a black frame, displayed above a slim black console with a camera and books in a minimal contemporary interior.

30×20cm on cradled wood panel, in a black float frame, ready to hang

Acrylics

AVAILABLE. To enquire click here

Hidden Fracture

Witness and Fault

Hidden Fracture by Gera Dunachie, contemporary abstract painting in pale blush, lime, grey and white with a wavering gold vertical line, charcoal form and black base.

Hidden Fracture plays with the difference between what appears to control a painting and what actually does. A wavering gold line dominates the surface, while a barely visible physical fracture in an imperfect board quietly determines the black field below.

There was something unique about using this defect as a structural catalyst for the composition. Its luminosity and small scale make it especially suited to intimate spaces where close viewing reveals what isn’t obvious at first.

Hidden Fracture, abstract painting by Gera Dunachie in a black frame, displayed above a glass-and-steel desk with a black leather chair in a contemporary study.

30×25cm on Auto Amor board.

Acrylics

Reserved for Auto Amor exhibitions

Resistance

Force Contained

Resistance by Gera Dunachie, contemporary abstract painting in black, white and grey with rough layered textures, visible wood grain, loose diagonal lines and muted pink and ochre accents.

Resistance is built around movement that keeps meeting something in its way. Loose lines travel through softer fields, changing direction as they encounter shifts in colour and weight.

Nothing forms a fixed boundary; the painting advances through a series of small negotiations. Its largely black, white and grey palette, rough textures and visible wood grain give it an industrial feel, making it ideal for exposed walls in a contemporary setting.

Resistance, unframed abstract painting by Gera Dunachie, displayed above a copper wire console table against a light grey wall in a contemporary interior.

90x60cm on panel, unframed, with finished edges, ready to hang

Mixed media: acrylics, pencil

AVAILABLE. To enquire about Resistance click here

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