Currents

Movement gathers, shifts and pulls away.

Forms gather momentum across the surface, shifting between flow, resistance and restraint.

Kinetic Pull

Braced Descend

Kinetic Pull by Gera Dunachie, large contemporary abstract painting in teal and turquoise with deep red and black forms, blue diagonals and a sharp yellow accent.

Kinetic Pull is driven by electrifying force. Saturated teal and turquoise carry the eye across the surface, while deep red, black and a sharp yellow accent create pressure and counterweight.

It has the kind of energy that can change the feel of a room, so I see it in a space that can take a stronger visual presence against simple architecture and quieter furnishings.

Kinetic Pull, abstract painting by Gera Dunachie in a black frame, displayed above blue ottoman seating and a gold side table in a contemporary neutral interior.

90x60cm on cradled wood panel, in a black float frame, ready to hang

Mixed media: acrylics, pencil

AVAILABLE. To enquire about Kinetic Pull click here

Held Under

It Finds the Gap

Held Under by Gera Dunachie, contemporary abstract painting with layered pale blue-grey, charcoal and teal forms, warmer accents and gestural linear marks.

Held Under commands attention through its scale and complexity. Broad pale passages press against darker blue and charcoal forms, with warmer traces caught between them rather than allowed to break free. The tension feels compressed rather than contained, as though the painting is holding something back.

In a clean contemporary space, it can become a strong focal point without relying on bright colour for impact.

Held Under, abstract painting by Gera Dunachie, unframed, displayed above a modern lounge chair and black pedestal in an elegant grey-panelled interior.

75×75cm on cradled panel, in a black float frame, ready to hang

Mixed media: acrylics, pencil

AVAILABLE. To enquire about Held Under click here

Against Current

Echo Denied

Against Current by Gera Dunachie, large contemporary abstract painting in teal, blue-grey, blush and maroon, crossed by dark sweeping linear marks.

I built Against Current to be a deliberate contradiction: speed held in check, warmth buried beneath a cooler surface. Teal, blush, maroon and grey pull in different directions, while darker lines keep the painting under tension.

At 60 × 90 cm, it has real wall presence and suits a living or commercial space where its complexity can unfold gradually rather than reveal itself all at once.

Against Current, abstract painting by Gera Dunachie in a black frame, displayed above a grey lounge chair and round coffee table in a contemporary office interior.

60×90cm on cradled wood panel, in a black float frame, ready to hang

Acrylics

AVAILABLE. To enquire about Against Current click here

Below Threshold

Below Threshold by Gera Dunachie, contemporary abstract painting in teal, mint, charcoal and lavender-grey, with sharper upper forms above a hazier lower field.

The Haze Holds

If you look closely, the top part of the painting is sharper while the lower section drifts out of focus, giving the impression that something is submerged, held just beneath the point of becoming fully visible. Cool mint, teal and lavender soften the tension, while darker passages stop the painting becoming serene.

It would sit beautifully in a pared-back room with pale walls, where its quieter shifts can reveal themselves slowly.

Below Threshold, abstract painting by Gera Dunachie in a black frame, displayed above a dark console with a table lamp and books in a minimalist neutral interior.

40x40cm on cradled wood panel, in a black float frame, ready to hang

Mixed media: acrylics, paste, pencil

AVAILABLE. To enquire about Below Threshold click here

White Interval

Between Pressures

White Interval by Gera Dunachie, contemporary abstract painting with pale grey and white fields, cobalt and turquoise passages, charcoal forms and fine linear marks.

I love the restless balance in White Interval. Pale forms open the composition while deeper cobalt, turquoise and charcoal pull it back into tension. Nothing quite settles, which is what gives the painting its energy and keeps the eye moving.

At 50 × 50 cm, it has enough presence to hold its own in a living room, hallway or workspace without dominating the room.

White Interval, abstract painting by Gera Dunachie in a black frame, displayed above a minimalist console with a lamp and books in a bright neutral hallway.

50×50cm on cradled wood panel, in a black float frame, ready to hang

Acrylics

AVAILABLE. To enquire about White Interval click here

Fractured Ozone

Where the air splits

Fractured Ozone by Gera Dunachie, contemporary abstract painting in blue-grey, white and soft pink, with layered angular forms and visible linear marks.

In Fractured Ozone I was trying to catch the instability of a summer sky just before the light changes. Cool blue-grey and white are interrupted by sudden pink, like those fleeting colour shifts that disappear almost as soon as you notice them.

The painting has enough calm for a living space, but the colour keeps it alert, especially against pale walls or quieter neutral furnishings.

Fractured Ozone, abstract painting by Gera Dunachie in a black frame, displayed above a beige console with a lamp, books and sculpture in a neutral interior.

40×40cm on cradled wood panel, in a black float frame, ready to hang

Mixed media: acrylics

AVAILABLE. To enquire about Fractured Ozone click here

Held Back

At the Edge

Held Back by Gera Dunachie, contemporary abstract painting with layered white and soft grey fields, turquoise blocks and sparse black and red linear marks.

Held Back carries its tension quietly. Teal shapes stand out against the silence of grey fields, but the movement never fully resolves, leaving a sense of energy suspended rather than released.

Its restrained palette and gentle floating quality make it especially suited to a study, focused workspaces, hallway or contemporary living space where something quieter can still hold your attention.

Held Back, abstract painting by Gera Dunachie, unframed, displayed beside a round gold-edged table with a sculptural vase and dried flowers in a pale interior.

35×35cm on cradled wood panel, unframed, finished edges, ready to hang

Mixed media: acrylics

AVAILABLE. To enquire click here

Breach of Light

Breach of Light by Gera Dunachie, contemporary abstract painting in blue and white with dark structural passages, layered surface marks and a concentrated break of colour.

Cold Admission

Breach of Light is pared back by its restricted palette to the point where every mark matters. Blue and white hold the surface in restraint until one concentrated passage breaks through, giving the painting its charge.

I envisage this painting in a minimal interior or work-focused space, where that single moment of release can carry more weight than a louder composition ever could.

Breach of Light, abstract painting by Gera Dunachie in a white frame, displayed above a console with a sculptural vase and flowering branches in a neutral interior.

40x40cm on cradled wood panel, in a white float frame, ready to hang

Mixed media: acrylics, paste, pencil

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Passages